about

Tobias Ewé is a Danish theorist currently based in Vancouver, BC. They are writing a PhD on inhuman sound art in the department of Art History at the University of British Columbia. Their research focuses on the epistemology of listening in modernity and its symptoms in the sonic arts at the nexus between vibrational cybernetics and speculative aesthetics. Their most recent written work appears in the Bloomsbury Handbook of the Anthropology of Sound, the Bloomsbury Handbook of Sound Art, and as the Danish translator of Laboria Cuboniks’ Xenofeminism: A Politics for Alienation. Tobias has exhibited and performed sonofictional diagrams in Berlin, Vancouver, Toronto, Copenhagen, Basel, and online.