writing

“The Unheard,” in: Holger Schulze and Macon Holt (eds.) The Bloomsbury Handbook of the Anthropology of Sound (Bloomsbury, London: 2020) //peer-reviewed

“A Universe in a Grain of Sound: The Production of Time and Sonic Fiction in Machinic Sound Art,” in: Holger Schulze and Sanne Krogh Groth (eds.) The Bloomsbury Handbook of Sound Art (Bloomsbury, London: 2019) //peer-reviewed

Det xenofeministiske manifest, Passive Aggressive publishing, Copenhagen: 2017. Translation of The Xenofeminist Manifesto including a foreword about its relationship to sound and music.

The Sound of Festival Future,Seismograf, online

“Flygtige Frekvenser,” MosaIKK #2: Not Human, 88-91, Copenhagen, DK. Article in interdisciplinary student journal for the Dept. of Art and Culture, University of Copenhagen

”Krigskunsten – Lyden af lys og papegøjer,” URO, 22-32, Copenhagen, DK

En udstilling på plade, Seismograf, online.
Review of the Nordic Sound Art programme’s vinyl release for eight artists at the 2014 graduate show.

”Det digitale hukommelsestab,” MosaIKK #1: Nyt!, 106-111, Copenhagen, DK.
Article in interdisciplinary student journal for the Dept. of Art and Culture, University of Copenhagen

“Digital Amnesia,” Digital America, online, Richmond, USA

Compound Community (Editor), Odense, DK
Catalogue written and edited for the group exhibition Compound Community.