In the wake of Mark Fisher’s death, I’ve found Kodwo’s recent work on interpretive communities incredibly compelling. Not least as a means to understand what it is about Mark’s work – his way of working – that draws me (and … Continue reading →
07. February 2018 by ewé
Categories: Uncategorised |
Tags: accelerationism, afro-futurism, afro-futurism 2.0, afro-pessimism, AltWoke, black accelerationism, black feminist poeticism, black quantum futurism, cyber-feminism, cybergoth, eliminitivism, forensic architecture, gulf futurism, hauntology, inhumanism, Interpretive Communities, Kodwo Eshun, L/ACC, left accelerationism, Mark Fisher, neo-reaction, NRx, R/ACC, right accelerationism, sinofuturism, speculative realism, U/ACC, unconditional accelerationism, xenofeminism |
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This is the second in a series of posts concerning the theories of what Jonathan Sterne would call ‘sound students.’ This is my humble attempt to grasp the (no-longer-so-)budding field of sound studies and develop a theory of sonic affect. … Continue reading →
02. September 2015 by ewé
Categories: Academia, Sonic Materialism, Sound Student Series, Sound Studies |
Tags: Afrofuturism, Alfred North Whitehead, Brian Massumi, Felìx Guattari, Gilbert Simondon, Gilles Deleuze, Graham Harman, Henry Torgue, Infrasound, Jean-François Augoyard, Jonathan Sterne, Kodwo Eshun, LRAD, Sonic Warfare, Steve Goodman, Ultrasound |
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